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The Premium Show Us Your Tritts Shirt word got out around the town that he was having a concert. Local DJs started giving out the details, so the crowd was huge bc it was “free” (it wasn’t but they said it would be). We had to move to a concert outside. Unfortunately, there was a wedding going on next door at the art gallery. Pretty sure we ruined the wedding with Willis screaming “SUCK A CHEETAH’S DICK!” The cops were called. When he played at my college in 2001, he asked someone to come up and bump his head so he could laugh like a damn fool, so I volunteered. He was sitting about 6 feet away from me with his manager before the show and said his demon voices.
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I was telling him to take everyone on a war hell ride, but his manager told him to tell his demons to fuck off, and I guess that worked. Funny! I was just talking about this in another thread. I’d start by playing him some of the Premium Show Us Your Tritts Shirt composers that came after him, Stravinsky, Copland, that kind of stuff. Then some film scores, like from Williams, Horner, Barry, etc. I’d love to see what he’d think of Jazz and Rock n roll too. If I could only pick ONE thing it would be Rite of Spring by Stravinsky.
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I think he would hate Rite of Spring. The idea of deconstruction as a form of expression just wasn’t a feature of Mozart’s time. He wouldn’t have the Premium Show Us Your Tritts Shirt context of what Stravinsky was reacting to. Also, the classical period that Mozart was writing in was essentially the antithesis of atonality, it was a period of elegance that was reacting against the more complex music that preceded it. You’re much more likely to see chords with some of the dissonant crunch of Stravinski in the earlier JS Bach than in Mozart.